Tuesday, March 3, 2020

THIS POD LIFE: ZAZZLE, A HALL OF MIRRORS FROM ~2003

This picture is a representation of what it's like to work with Zazzle's website.

For those on the PoD trail, that is, print-on-demand as a passive income stream, many will stand before the entrance to the Kingdom Of Zazzle and wonder 'should I enter'? Is it safe?

Well, here's my experience.

To clarify, Zazzle is a PoD website where designers both professional and amateur alike, can upload artwork. If a customer then browsing the website likes your artwork enough, they can have it printed on all sorts of products such as tshirts, jandals, even shower curtains, bathmats or frisbees. As the designer you then receive a commission while the company owning the website handles everything else - printing, postage and collecting of monies. This business model describes PoD in general. 

Sounds great, but in many ways, to enter Zazzle is to enter a hall of mirrors.

The first thing to know is that Zazzle's interface - particularly compared to the majority of competing pod sites - is a mess - if not an archaic mess. Even before you've logged in, information overload is likely. Options are everywhere, it's not clear where to click and what to click and what mode you're in - public preview or 'store management'.

In time you'll come to know the intricacies, but it's very confusing at first. Likewise, before you have that experience under your belt, you'll find yourself creating multiple copies of designs on products because for the most part, to edit a product is not to update it, but to create another iteration of that product. And so just like seeing your reflection multiply in mirrors, you'll find yourself creating multiple copies of a product without even realizing it's happening.

It also doesn't help that there's a lag between updating details and seeing that reflected in your product listings, which again, can lead to mistakenly creating multiple copies of a product.  

But leaving all that aside, Zazzle is a bit of a trap for unwary designers in other ways. 

Because in a way Zazzle seems larger than it really is.

It has the greatest range of products of all the pod sites. The range of products is dizzying - it comes across as an alternate Amazon. You won't know what products to drop your designs onto, to begin with and so may spread them across as wide a range as you can (I know I did - I spent an entire afternoon putting a couple of designs on dozens of phone cases before twigging that it wasn't necessary. Duh.)

But be aware;

Traffic is half of Redbubble's.

It's very US oriented.

More importantly, the users who make money on zazzle are;

Those who've been on it for years.

Have shops that are extremely well organised and niche targeted.

But the magic key to Zazzle success and escaping the maze? 

Customizable stationery - in particular, birthday cards, business cards and wedding stationery. This is Zazzle's claim to fame - that customer's can add their own names to designs - or their grandparents or childrens names or the name of their business. That's Zazzle's market strength.

New designers may not recognize this and instead wander the halls, dazzled by the array of options, posting designs until the cows come home, but for the most part, gaining rewards that will likely always be mediocre. 

This is what has happened to me. But now that I have a clue, I'll be changing tack and focusing on customizable stationery - weddings, birthdays, that sort of thing.

Wish me luck.

MADJACK TEES on Zazzle

Tuesday, February 4, 2020

COVID-19: HEY KIDS! IT'S A NOVELTY VIRUS

Well, that didn't take long. 

Just as I was wondering what the new decade would bring - and hoping it'd be a bit of a break in the clouds so to speak - up pops a possible pandemic.


Not that we yet know the full seriousness of the outbreak.

But looking at the daily released case numbers, they appear to be increasing at a 15% to 20% rate on the previous day's totals, which is high. If this rate of new cases continues, then China can expect to list 100,000 cases by the middle of February. If it continues on the same growth trajectory unabated, 1 million by the start of March. 

Of course this is a very simple projection and ignores all sorts of factors. With the measures Chinese authorities have taken, they may have 'broken the back' of the rate of infection and that will start to flow through in the case numbers shortly 

I don't know - I'm just some schmuck on the internet, although that hasn't stopped similarly unqualified schmuckos holding forth on YouTube I notice. As long as you sound authoritative and perhaps add a dash of conspiracy for flavor, you'll get numpties leaving appreciative comments thanking you for providing the 'real news'. Sigh. But that's the internet for you. 

On the other hand, there are voices from inside China claiming that the actual number of cases is far higher and that deaths are not always reported correctly but are routinely attributed to other causes such as 'pneumonia'. A conspiracy indeed. And maybe the official Chinese figures are more indicative of the increased availability of test kits in the affected provinces than a true infection figure for the population. I don't know but imagine more clues will emerge in the coming months and maybe for years to come.

Meanwhile cases outside of China remain minuscule - perhaps surprisingly so. 195 are listed at time of writing. 

This is surprising given 5 million Chinese basically fucked off out of Wuhan at the start of the quarantine, leaving mostly for Hong Kong, Thailand, Singapore and Japan, as well as other parts of China. Some carried the infection and Japan, Thailand, Singapore, Hong Kong and South Korea are now at the top of the list for cases outside of mainland China.

Still, the number of international cases is suspiciously low. Let's hope it stays low but I suspect that what happens with these cases in the coming weeks will be critical, and as someone living far away from mainland China, will determine whether or not it's worth becoming truly concerned.

Sunday, January 26, 2020

INTERNET: ON THE FUTILITY OF COMMENTING

...posting comments on the internet.


Tuesday, January 21, 2020

HOLIDAYS: PRE-PANDEMIC EDITION

Well, that's 2019 done and dusted. The Christmas wrapping's long gone in the trash, those extra pounds you put on are still making you frown when you look in the mirror (or maybe you just don't give a crap), and I'm another year older and stupider.

But let's hope 2020 and the coming decade is an improvement. I mean, it could go either way this decade couldn't it? 

A nice start would be if Trump weren't re-elected and Australia could stop burning as here in New Zealand we had a week of orange skies and dust due to smoke travelling across the Tasman sea. It really was extraordinary and for once, climate change wasn't dismissed as a hoax although Murdoch Media is doing its bloody best. Our glaciers got a dusting - which they don't need - and it was possible to look at the sun's disc directly for at least a day. Can't complain though, it was better to be here than in Queensland/NSW and best wishes to those Aussies who've been affected.

In the meantime, here's some baby squid just to put things into perspective.



Because after all, aren't we just all baby squid?

<26 Jan/edit> and as if on cue, up pops a possible pandemic to kick off the decade.

Wednesday, November 27, 2019

ART: MONSTERS!!!!



When we think of monsters today, we perhaps think of digitally rendered behemoths in the latest Hollywood summer movie. Or perhaps of real-life monsters lurking in the oceans - and we know there are real monsters down there.

Yet there's been a tradition of depicting monsters in art, long before movies were invented. For example, an early 'trope' involved lurid depictions of hell - Christian or otherwise - with all the nasty creatures therein that ensured the inmates had an equally unpleasant time of it.

Another rich source of monsters is art produced during the two world wars. Artists found themselves aghast at rampant militarism and the monster human nature itself seemed to have become. Many artists used monsters to depict their own personal demons, whether stirred up by world events or more personal tribulations.

Whatever your feelings on the subject of monsters, there's a fascinating website that collates monster art from many different sources into a fascinating list. Please note: some of the images are extreme, so caution is advised.

http://monsterbrains.blogspot.com/

For a peak at some great Japanese monster art from the 19th century, check out this out!
Samurai fighting giant salamander

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